A r t w o r k . . . f r o m . . . . . . H a m b u r g . . . . . . . . . . . . . G e r m a n y
Working on the clothes today, adding ultramarine to the color composition. This clothing looks like an old-fashioned sailor suit. There has been an era when people have been proud of their profession. A member of a guild did wear a special kind of clothing.
Now using goauche again to further refine the two siblings in the foreground. This technique is old-fashioned and has been used by the masters of the renaissance. It can produce a certain impression of deepness. Next step will be covering the remaining gouache-only parts of the work with a thin layer of oil color …
Adding strange details to the buildings. A cushion made of marble and traces of smoke on the pillar.
Entering the twilight zone, magnification is added to the toolbox now.
Applying traces of oil colors on top of gouache and chalk to creat the background: a cloudy sky and useless buildings
Until now I only use white gouache, black ink and black chalk.
